In 1963, a sixteen-year-old San Diego high school student named Bruce McAllister sent a four-question mimeographed survey to 150 well-known authors of literary, commercial, and science fiction. Did they consciously plant symbols in their work? he asked. Who noticed symbols appearing from their subconscious, and who saw them arrive in their text, unbidden, created in the minds of their readers? When this happened, did the authors mind?
Yes, it has been a while.
But I’m back, if only fleetingly, to announce that Nic Sebastian has picked my poem ‘The Carpenter Seals Lily’s Widowhood 1943’ to read on Whale Sound.
Feel free to check it out!
So here’s the thing.
Yes, I got a degree in literature lo these many years ago.
Yes, we were exposed to the Great Books in English. And because I studied in Canada, they were really English, most of them. I have great gaps in my reading of American literature — no Moby Dick (we did Bartleby instead), no Twain or Hawthorne or Wharton or Dickinson or Frost. We read Henry James and called it a day, And believe me, I did read James from cover to cover — particularly The Golden Bowl, don’t ask why (Portrait of a Lady got itself skimmed).
The June 2010 issue of tongues of the ocean went live at midnight today.
This one’s a little different. We’ve taken a cross-disciplinary exhibition and put it into cyberspace. Instead the customary two pieces of writing a week, we’ve got a literary piece and a piece of visual art. This is how the exhibition—”A Sudden and Violent Change”, created for The Hub in Nassau for the Transforming Spaces Art Tour—was set up: writers creating pieces that artists used as inspiration for other pieces.