I want to do this, but here goes.
It’s Lent, and my mother died barely two months ago, and her brother died eight days before her. I didn’t give up anything else for Lent, but vowed to write a poem a day. A sevenling a day, to be exact.
As Lent started in March and Easter comes in April, this meant that some of the discipline would cross over into NaPoWriMo, when I usually commit to the poem-a-day business.
I must admit I missed a week at the end of March, and will have to catch up. But the goal for Lent is forty sevenlings to lay the foundation for one long elegy. Taking inspiration, not surprisingly, from Tennyson’s In Memoriam; similar, but not the same.
Yes, it has been a while.
But I’m back, if only fleetingly, to announce that Nic Sebastian has picked my poem ‘The Carpenter Seals Lily’s Widowhood 1943’ to read on Whale Sound.
Feel free to check it out!
Nic Sebastian’s Whale Sound. Not to be confused with Blogsphere, though it looks the same. It sounds entirely different.
Dear Poet X – I am writing to ask your permission to record and post recordings of your poems A & C, which appear online in locations Y & Z. The recordings will form part of a larger project, the idea for which evolved generally out of a recent interview series on “Poets & Technology” and specifically, out of a suggestion made by Amy King in her responses to those interview questions.
Well, I don’t know if there are still people who drop by and read this blog, which has become dormant for a little while.
This is a post to say that I’m not giving up on it altogether, but rather taking a sabbatical. I am thinking how to reform this so that it can work best for me in my new, more active and strangely fulfilling life these days.
In the meantime, enjoy the archives, and go and have a look at what else is keeping me busy these days:
Shakespeare in Paradise
tongues of the ocean
In particular, have a look at tongues of the ocean, where Issue 5 is coming to a close. This time, Issue 5 took a qualitatively different approach, reproducing a very exciting exhibition from this spring online. It worked! Go check it out.
Nic’s interview this week: Cati Porter.
The internet, Facebook, Twitter, blogs, websites, iPad, iPod, podcasts, digital video and who knows what else. What do they all mean for the poet qua poet? For Poetry? Is it still pretty much where the Gutenberg press left it? Is Poetry technology-proof? In our fearless ongoing quest to exploit other people’s wisdom on poetry-related subjects, we are posing ten questions to a group of illustrious contemporary poets on this topic. This week’s responder is Cati Porter.
via Very Like A Whale.
Nic’s got a new interview up: Chris Hamilton-Emery.
The internet, Facebook, Twitter, blogs, websites, iPad, iPod, podcasts, digital video and who knows what else. What do they all mean for the poet qua poet? For Poetry? Is it still pretty much where the Gutenberg press left it? Is Poetry technology-proof? In our fearless ongoing quest to exploit other people’s wisdom on poetry-related subjects, we are posing ten questions to a group of illustrious contemporary poets on this topic. This week’s responder, bringing us a UK perspective, is Chris Hamilton-Emery.
via Very Like A Whale.
Anybody else notice that the world has exploded with damn good poetry? That everyone’s publishing all of a sudden, and that a lot of the stuff that’s getting published is not half bad?
It’s not really all that surprising. The internet, access to print on demand, and so on, have liberated people’s ability to write, and have allowed people who had never read a poem outside of an academic institution (and come to think of it, I was one of those people — I just happened to spend a lot of my life within an academic institution) to read, write, critique, and discuss poetry in ways that I don’t think have happened since the turn of the last century.