… but I’m surfacing to share a little good news for a change. New publication in sx salon, a literary platform for Small Axe:
To balance our emphasis on nonfiction in this issue, we have new poems from Fred D’Aguiar, Kemar Cummings, Nicolette Bethel, Yannick Giovanni Marshall, and dub poet Malachi Smith with an audio sample of Smith performing “Papine”. We are also happy to announce in this issue the winners of the 2011 Small Axe Literary Competition:
via Discussions » Blog Archive » sx salon, issue 7 December 2011.
I’m also working, with Sonia Farmer and Nic Sebastian, on a nanopress project. We’re calling it Lent/Elegies, and it’ll be ready to go soon. But more on that later.
Four poems from the “Fear of Frogs” sequence are featured at Avatar Review 13
They’re collected here, and mentioned here, together with the most squeamy photograph.
But read the whole issue: you won’t be sorry.
Nic’s interview this week: Cati Porter.
The internet, Facebook, Twitter, blogs, websites, iPad, iPod, podcasts, digital video and who knows what else. What do they all mean for the poet qua poet? For Poetry? Is it still pretty much where the Gutenberg press left it? Is Poetry technology-proof? In our fearless ongoing quest to exploit other people’s wisdom on poetry-related subjects, we are posing ten questions to a group of illustrious contemporary poets on this topic. This week’s responder is Cati Porter.
via Very Like A Whale.
The June 2010 issue of tongues of the ocean went live at midnight today.
This one’s a little different. We’ve taken a cross-disciplinary exhibition and put it into cyberspace. Instead the customary two pieces of writing a week, we’ve got a literary piece and a piece of visual art. This is how the exhibition—”A Sudden and Violent Change”, created for The Hub in Nassau for the Transforming Spaces Art Tour—was set up: writers creating pieces that artists used as inspiration for other pieces.
Nic’s got a new interview up: Chris Hamilton-Emery.
The internet, Facebook, Twitter, blogs, websites, iPad, iPod, podcasts, digital video and who knows what else. What do they all mean for the poet qua poet? For Poetry? Is it still pretty much where the Gutenberg press left it? Is Poetry technology-proof? In our fearless ongoing quest to exploit other people’s wisdom on poetry-related subjects, we are posing ten questions to a group of illustrious contemporary poets on this topic. This week’s responder, bringing us a UK perspective, is Chris Hamilton-Emery.
via Very Like A Whale.
I blink emerald.
I blink sea glass green.
Saeed Jones, via THE COLLAGIST.
One of the things I like about blogging here on wordpress.com (don’t worry, there are some things I don’t like too) is that sometimes I come across really cool blogs that I like to follow. Saeed Jones’ is one of them, and today, when checking the blogs I surf, I found this reference. Followed it, and ended up at The Collagist, a journal I’d never heard of before.
Worth reading. And while you’re at it, visit some of my online favourites too: Anti-, qarrtsiluni, and, of course, tongues of the ocean.
**edited to fix the man name.
This week, two womanish poems again. C. S. Bhagya, from India, and yours truly (aka Nicolette Bethel) are featured, sharing the voices of two oddly similar and yet infinitely different women. Bhagya’s “fishmonger’s wife” speaks to an invisible man (not her husband, clearly):
Because I am a fishmonger’s wife
you thought you could visit me at night,
on summer mornings
I smell of conches, their smooth
white glide and sound of sea.
— C. S. Bhagya
“Island Girl”, meanwhile, explains how to get blood out of cotton:
… you need a lime, some salt, and sun.
Don’t wash it first, cause blood will set, and stain
and give the thing away. So cut the lime
and rub it on the blood, and cover that
with salt and lay it flat, and let the sun
shine on it.
— Nicolette Bethel
Intrigued? Want more? Go to tongues of the ocean.